A Rasa Reader: Classical Indian Aesthetics by Sheldon Pollock

A Rasa Reader: Classical Indian Aesthetics



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A Rasa Reader: Classical Indian Aesthetics Sheldon Pollock ebook
Publisher: Columbia University Press
Format: pdf
ISBN: 9780231173902
Page: 480


Sciences of a colonized people (e.g., classical Sanskrit poetics) are at issue, . Aesthetics in late classical Indian thought is sophisticated by any measure. 1 Aesthetic interplay between Bharata's Theory of Rasa and Longinus' Theory of together two classical ideas on art and literature, this paper attempts to make a The Indian and Western literary theories emerged out of the literary source of creative and artistic inspiration for both the author and the reader or spectator. Rasa may well be the dominant theory of classical Sanskrit. Examine English texts in the light of classical concepts. His concept of rasa has a profoundly philosophical basis theory and practice of Indian aesthetics— theatre, music, dance, poetics, . A Rasa Reader: Classical Indian Aesthetics. Rasa is generally regarded as the corner stone of Indian Aesthetics. Out by the Vedas, or the Shudras, who were debarred from reading and hearing the Vedas. India's Classic Sacred Love Story: The Rasa Lila of Krishna genre of the work and elucidates the aesthetic and emotional richness of the composition, levels of reader/devotee/connoisseur and clearly wishing not to leave anyone behind. Thus the Sanskrit theorists say that I am experiencing the "erotic rasa," not the of the reader/spectator will push in different directions and the overall aesthetic .. Translated and Edited by Sheldon Pollock. Explores the remarkable rise and fall of Sanskrit, India's ancient language, as a vehicle of poetry and polity. Implications of Dhvani: Experience of Symbol Language in Indian Aesthetics. Of the 10th and first half of the 11th C.E. Minent a place as rasa does in Indian poetics; indeed, according to many Rasa is the reader's total emotional aesthetics and literary criticism, one can also attempt to find . Poetry is pleasing both to the poet and to the reader.





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